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‘[Rothenstein] and Kennington were both stationed at Montigny farm, near Roisel, about ten miles from Peronne and twenty from Cambrai, only three to three and a half miles behind the front lines. The troops and their transport were too difficult to draw, so William concentrated on the ruined villages and the landscape under snow. It was often so cold that his brush froze between water-flask and paper, but his energy could still leave a mess-room limp with exhaustion; and Kennington – who was ostensibly in charge of him – found him a law unto himself, refusing the precaution of a gas mask and dealing with superior officers according to his own ideas of their superiority ... William insisted on sketching under fire, and roamed as widely as he could to discover the ruins that so vividly excited his imagination.’ (Robert Speaight, William Rothenstein: The Portrait of an Artist in His Time, London: Eyre & Spottiswoode, 1962, page 292-293)