Literature
Malcolm C Salaman (intro), William Walcot RE (Modern Masters of Etching No 16), London: The Studio, 1927, plate II;
H C Dickins, manuscript, 'Chronological List of Etchings', 1920-1924, no 71;
Elizabeth Harvey-Lee, William Walcot Catalogue Raisonné, online, no 98
Exhibited
'Summer Exhibition of Original Etchings (A Selection From the Gallery's Portfolios)', Fine Art Society, London, July-September 1922;
'Original Etchings by Leading Artists', Fine Art Society, London, November 1923;
'Paintings, Water-Colours and Etchings by William Walcot', Fine Art Society, London, June 1924;
'Modern Etchings', Beaux Arts Gallery, London, October 1926;
'Etchings by Leading Artists', Fine Art Society, London, December 1927;
'William Walcot 1874-1943, Centenary Exhibition', Fine Art Society, London, 1974, no 65;
‘William Walcot 1974-1943, Magical Impressions’, The Building Centre with Gallery Lingard, London, 1990, no 75;
‘Impressions of Cities by William Walcot’, Elizabeth Harvey-Lee, London, 2008, no 55;
'William Walcot: Artist & Architect', Chris Beetles Gallery, London, October 2018, no 24;
'A Century of British Art: 1900-1945', Chris Beetles Gallery, London, June-July 2021, no 49
Published by H C Dickins in 1921 in an edition of 300 (UK) and 100 (USA), originally priced at 8 Guineas.
'The massive ruins of the Villa Quintilii are on the Via Appia about 15 miles out of Rome. The home of two Quintilian brothers, of whom Gibbon commented “Their fraternal love has saved their names from oblivion and endeared their memory to posterity.” They were confidants of Marcus Aurelius. However his son Commodus when he succeeded as Emperor was jealous of their popularity and coveted their estate, which he confiscated, and had the brothers despatched.'
Elizabeth Harvey-Lee, online
Framed
