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Flint Church
Charles Knight produced this watercolour of a quiet corner of a country churchyard during the late 1920s, while his emulation of John Sell Cotman was at its height. The crisp draughtsmanship, the simplification of form and the flat washes of a heightened palette of pure watercolour can all be traced to Cotman's own depictions of church interiors and exteriors, and especially those of the years 1807-10.