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Parson's Pleasure, Oxford

Stanley Roy Badmin (1906-1989)


Price
£5,500

Signed
Signed
Inscribed with title and 'from sketches done 1929-37', and dated 'Jan 1938' below mount

Medium
Watercolour with pen ink and pencil

Dimensions
6 ¼ x 10 ¾ inches

Provenance
The Estate of S R Badmin

Literature
Apollo, 1938, page 276;
S R Badmin RWS RE – a Master-Etcher, London: Chris Beetles Gallery, 2022, page 11

Exhibited
Royal Society of Painters in Water-Colours, London, Summer 1938, no 47, as 'Parson's Pleasure'
'Chris Beetles Summer Show 2016', Chris Beetles Gallery, London, no 68;
'S R Badmin RWS RE: Watercolours, Drawings & Etchings', Chris Beetles Gallery, London, June-July 2022

Parson's Pleasure an area next to the path to Mesopotamia that runs alongside the river Cherwell in the south east corner of the Oxford University Parks.

Parson’s Pleasure was traditionally a secluded area for male-only nude bathing, often frequented by university dons. To protect both the men bathing and ladies in passing punts, the area was screened by a high corrugated fence and a track with rollers which allowed for the ladies’ punts to be hauled from the Cherwell and over the rollers, so bypassing the embarrassment of both the swimmers and the passing ladies.

Parson's Pleasure became part of Oxford folklore and is often referred to in contemporary literature. In 1923, Christopher Morley wrote about its charms in a poem (
Parsons’ Pleasure, New York: George H Doran Company, 1923) and Anthony Gibbs, in his autobiography In My Time (London: Peter Davies, 1969), describes Parson’s Pleasure as ‘The most enchanting spot in Oxford’ and that often one punt each afternoon would pass with girls ‘scarlet-faced and staring straight before them, would meander by. They did it on purpose, of course. No one paid them the slightest attention. Absolute disdain was the code of behaviour.’

Although the area closed in 1991, its name continues to live on, a local brewery’s ‘Parson’s Pleasure Ale’ and also the Parson’s Pleasure Surprise Maximus, a complex method of change ringing, performed on 12 church bells (2010).


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