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James Thomas Watts RBSA, RCamA (1853-1930)


James Thomas Watts was born in Birmingham and educated in the city at King Edward’s School and the Birmingham School of Art. As he became familiar with the writings of John Ruskin and the paintings of the Pre-Raphaelites, he held fast to the principle of truth to nature, and applied it in particular to woodland landscapes. While working within what was a narrow range of subject matter, he explored its every aspect through the seasons and at different times of day, and represented the most subtle effects of light with astonishing atmosphere and detail. After his move to Liverpool, in about 1874, he painted mainly in North Wales and North-West England, though also visited the North-East, Scotland and even the Low Countries. He exhibited the resulting watercolours, and some oils, at leading institutions; these included the Royal Academy, the Royal Institute of Painters in Water-Colours and the Royal Society of British Artists, and – as a member – the Royal Birmingham Society of Artists, the Birmingham Art Circle, the Liverpool Academy and the Royal Cambrian Academy. In 1883, he married Louisa Margaret Hughes, also a landscape painter. He died in Liverpool on 24 October 1930.

Chris Beetles Gallery rekindled Interest in the work of J T Watts from the 1980s and over twenty years curated a significant group of eighteen watercolours for the prominent watercolour collector David Fuller. Further interest was generated by the auction of the Fuller Collection of Victorian Landscape Watercolours at Christies's London on April 2000, when record prices were achieved and significant lots were acquired by the Metropolitan Museum of Art, New York.


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